Showing posts with label painting process. Show all posts
Showing posts with label painting process. Show all posts

Tuesday, January 25, 2011

Lowcountry Fishing

While I painted this in my studio I was dreaming of warmer days down in the SC Lowcountry. We have had record snow here in the Upstate of Spartanburg, SC and, although I've seen some beautiful snowscapes... future paintings (maybe in the Summer!), I must admit I love warm weather.

This painting (oil on canvas, 10"x20") can be found at The Sandpiper Gallery on Sullivan's Island, SC

Wednesday, February 17, 2010

Corner- The Skillet

Here is another oil painting from my favorite diner here in Spartanburg, SC. Best grits in the world.
The inspiration for this painting came while I was waiting on someone to meet me for breakfast. The morning sun was coming through the window and I was struck by the sight. This is something I've probably seen many times but because I wasn't in a rush I noticed the simple beauty of light and venetian blinds!

I'm finally able to veralize what I'm after when I choose subjects to paint. My goal as a painter is to help people see the beauty of the mediocre and hopefully evoke a sense of wonder at something they have seen a million times - me included.

Happy drawing and painting!

Friday, January 8, 2010

Sullivan's Island Cottage - Ion Street

Thumbnail drawing
Block in
Refining the block in...
more refining...
The finished painting.

I love visiting Sullivan's Island, SC. The town has done a great job of keeping big development under control. If you walk or ride a bicycle around the neighborhoods you can see lots of quaint cottages/bungalows. I'm looking forward to the Spring so I can actually be there to paint some of the great scenes on the spot (en plain air).

Above you can see the process of this new painting, "Sullivan's Island Cottage. I start out with my "Thumbnail Drawing". This small sketch works like a road map. I've hear many an artist say, getting value right is more important that getting colors right. Colors are more of a personal decision - values are needed in order for a painting to "read".

This painting can be seen at the Sandpiper Gallery on Sullivan's Island.
Happy drawing & painting!

Friday, December 18, 2009

Shem Creek Shrimpboat




"Days End on Shem Creek", 9x12, oil on canvas panel

Shem Creek in Mt. Pleasant, SC is a wealth of great painting subjects. Sort of feels like stepping back in time. More and more technology is taking over alot of handwork so it is really fascinating to see fishermen mend shrimp nets, separate the days catch, clean fish and weight out fresh catch to sell. I always like to stop by Wando Shrimp Co. to buy some shrimp and fish to bring back to Spartanburg.

This painting is currently available at Sandpiper Gallery on Sullivan's Island, SC.

This is a place I will return to paint over and over!
Happy drawing & painting.... & Happy Holidays.

Tuesday, December 1, 2009

Beyond the Line - Drawing for Painters Workshop

March 18, 2010 I'll be teaching a one day class about called "Beyond the Line - Drawing for Painters". The idea behind this class is to show painters why I think it is important to draw a "thumbnail" drawing before I begin a painting.

The drawing in picture #1 really is more about determining my values. This will help me to push back areas I think aren't important and make sure I'm clear about my center of attention. A lot of time is spent with the painting so why not take 30 minutes and to get my head wrapped around what I'm about to tackle. I don't always draw a value sketch and when I don't I seem to fight with my painting more.

The picture #2 is my finished 11x14 oil painting on my easel. I really had some fun with this because many issues were thought out first. Give it a try and see how a value drawing can support your painting.

My one day workshop is March 18, 2010 at Burton Gallery & Emporium in Clarkesville, GA 706-947-1351.

The building in my painting is the Sea Biscuit on the Isle of Palms, SC. The food is wonderful, but it is a small place and if you don't get there early plan on waiting.

You can see this finished painting at the Sandpiper Gallery on Sullivan's Island, SC.

Happy drawing & painting!

Friday, December 26, 2008

The Skillet Restaurant

Number 1 - Over Easy, Grits, Crispy Bacon, Dry Rye & Black Coffee

This new painting of , The Skillet, is the second painting I've created using this restaurant as my inspiration. The Skillet is a Spartanburg landmark where you can order an incredible breakfast. My favorite is the #1 Special. The restaurant is small so if you can't be seated at a table you might have to sit at the counter. Dining at the counter is always fun because you could be sitting next to a CEO or a student. It is a great melting pot. Someday soon they will be demolishing the shopping center where the Skillet is located and build a new shiny shopping center. I'm trying to record some memories with my paintings of the town I love.


I'll take you along my painting process, starting with my studio set-up. When I'm not painting on location I use my digital photos displayed on my computer monitor as a reference.

I keep little notes to remind me to have fun, squint and to visualize my goal.

Looking down on me is an old photograph I found at an estate sale. George Bellows, the American painter, is pictured at his Woodstock Studio.


Step One
When I have a figure in a painting I'll usually draw out the basic composition. I'm using vine charcoal on a stretched white canvas. I'll fix the charcoal after I finish drawing so I don't make a big smear mess.

I love drawing. Lately I'm painting more than I draw, but actually I feel like I am drawing when I paint because I am looking at the shapes and trying to recreate what I see.

Step 2
In this shot you can see my "block in". My goal is to cover the canvas with the average value of the colors I see in my subject and to establish the shapes. This step really helps me to evaluate my composition.
Step 3
Now I start to define my focal point, "the star of the show". I don't know who this fellow is, but I liked the way he was day dreaming as he waited for his breakfast to be cooked.

I love a finished/unfinished look to my completed paintings, so my painting process gets slower and slower in hopes that I don't finish the painting too much. I always want "the hand of the painter" to be seen - to be able to see the paint, the brush strokes.

Step 4
Working some more of the focal point. The paint starts off thin and gets thicker as I near completing an area.

As with the finished/unfinished look to the painting I also like a balance of thick and thin paint buildup. As in life, it is all about balance.
Step 5
As I work on this painting I want to make sure I keep the cook in a "supporting role" to my star. The cook is in the background and shouldn't be as defined and should be less in focus.

At this stage I like the red/green color pallette, but feel that I need to pop out my focal point more. Perhaps a change in the color of his jacket?
Step 6
I decided to change the jacket color to a red/brown. This decision does add emphasis to the main subject. I've slowed way down now. All the details in the background don't need to be detailed too much. I'm aiming for just a suggestion.

Hope you've enjoyed this painting journey. Creating this blog entry has helped me to really see and "hear" my painting process.

Scroll up to see the finished painting.