Showing posts with label downtown Spartanburg. Show all posts
Showing posts with label downtown Spartanburg. Show all posts

Wednesday, December 15, 2010

Highway 11, another roadside attraction

The painting on my easel is currently a local landmark located just beyond Lake Bowen Spartanburg, SC I painted a small "thumbnail" version of this a few yars ago and now I'm tackling this 24" x 36".

My overhead bank of natural lights create a faux skylight so I wear the visor to block out the glare. A painting this size so of "takes me in" and I feel like I'm right on the side of the road on Highway 11. This is beautiful country! In high school we'd cruise out 11 and feel like we were in another world.

When I moved back to Spartanburg after being away for 30 years I was shocked to discover the Boiling Springs area (just down the street from this gas station) had turned into a megatropolis! Gone are the farms and acres and acres of peach fields. I was completely disoriented.

Part of my goal for 2011 is to get out and create plein air paintings to bring back to my studio to paint larger paintings of the many "roadside attractions" that are in danger of disappearing.

Happy drawing & painting!
Isabel

Wednesday, February 17, 2010

Corner- The Skillet

Here is another oil painting from my favorite diner here in Spartanburg, SC. Best grits in the world.
The inspiration for this painting came while I was waiting on someone to meet me for breakfast. The morning sun was coming through the window and I was struck by the sight. This is something I've probably seen many times but because I wasn't in a rush I noticed the simple beauty of light and venetian blinds!

I'm finally able to veralize what I'm after when I choose subjects to paint. My goal as a painter is to help people see the beauty of the mediocre and hopefully evoke a sense of wonder at something they have seen a million times - me included.

Happy drawing and painting!

Friday, December 11, 2009

Inside the Skillet Restaurant

One of my favorite subjects... the skillet!
This image shows my studio setup. You can see the monitor to the right of me and I use that as my reference for the painting. I've come to prefer painting from the monitor as opposed to using a photograph or print out because the light is better in the photo on the monitor. I can also use Photoshop to "look" into shadows that would normally just go black in a photograph.

Should have the painting complete by next week to post. Check back to see it!

Happy drawing & painting!


Friday, October 23, 2009

Edward Hopper


Self-Portrait, 1925-30 Oil on canvas 25 1/16 x 20 3/8 in. Whitney Museum of American Art, New York

A couple of years ago I painted a fellow at a local "landmark" restaurant here in Spartanburg, SC called the Skillet. I called it Morning News. When I paint or draw something there is always a combination of emotional interest and design interest that captures my eye and inspires me. In this case there was this wonderful landmark of a restaurant (I read in a newspaper when I first moved back home that the building/shopping strip the Skillet was located in would eventually be torn down and redesigned and rebuilt.) and the great design of the figure against the background and counter.

To make a long story longer.... when a friend saw the painting in my studio she remarked that it reminded her of Edward Hopper. That comment piqued my interest so I (alway the student!) did some research on Hopper.

In 2005 I had the opportunity to visit Hopper's childhood home in Nyack, NY when I was attending at week workshop with Burt Silverman in Upstate, NY, so I of course knew of Hopper. As I researched him more I did feel a connection with some of his subject matter - the world that he lived in - the hotels, motels, trains, highways, restaurants, theaters, cinemas and offices around him.

Early Sunday Morning, 1930 Oil on canvas 35 x 60 in. Whitney Museum of American Art, New York

I decided to paint a group of building in Spartanburg's downtown area (one of which was my Step-father's Drug Store which was the first painting I painted upon returning home, Heinitsh Walker.) which are inspired from Hopper's "Early Sunday Morning" I've created sketch in my Moleskin Sketchbook with waterproof uniball, then I colored it with watercolor. On the easel is a 15"h x 30" painting which I'm trying to photograph the process.

Hope to complete the oil painting by next week and post the process. So on the the easel.... happy drawing, and painting. Be inspired and learn from the Masters

Thursday, March 26, 2009

Sketchbook "Thumbnails"




I am painting for a May show at the Chapman Cultural Center in the Spartanburg Artist Guild gallery with Garry Turpin. The theme is 'Town & Country". I am painting urban scenes and Garry is painting "beyond the city limits scenes". This sketch was used to get my creative juices going for the 18"x24" oil on canvas painting.

The top sketch was painted on location (plein-air painting) downtown Spartanburg using a portable watercolor palette and a Moleskine sketchbook. I love this sketchbook. The paper is made for watercolor and the whole feel of the book inspires me. There are many kinds of Moleskine notebooks but for watercolor sketching I use the Moleskine Large Watercolor Notebook: Size: 5.25 x 8.25",Pages: 72 pages of acid-free paper.

If you love sketching try of one the Moleskines out. You'll love it! Happy drawing!

Monday, March 23, 2009

Nu-Way Thumbnail

This example of a thumbnail sketch before I painted sort of shows my thought pattern. I was much more interested in the abstract shapes of the buildings with the vertical intersecting lines of the sign and electrical pole. I was looking at the shapes the values made. I was also awestruck by the red door shape. I'm always on the lookout for discovering the extraordinary in the ordinary.

As I painted this I kept those thoughts and feelings in the front of my mind. These feelings are what kept me excited about painting this. The Nu-Way does also happen to be a Spartanburg, SC landmark were many a drink was poured and story shared. Not the most beautiful of places to paint, but then again beauty is in the eye of the beholder!

The Nu-Way, oil on panel, 16' x 20" painted 2007 "adopted" by Nan Coghill

Tuesday, January 13, 2009

An Invitation

I just received my invitation to my art show! After a year and a half of painting the day is almost here to share what I have created. I have heard other artists say every painting an artist creates is really a self portrait and I am really feeling that thought this week.
If you are in the area, please come to the reception. The show will be up for a month at Carolina Gallery.
January 4th my local paper ran an article about this upcoming show.

Friday, December 26, 2008

The Skillet Restaurant

Number 1 - Over Easy, Grits, Crispy Bacon, Dry Rye & Black Coffee

This new painting of , The Skillet, is the second painting I've created using this restaurant as my inspiration. The Skillet is a Spartanburg landmark where you can order an incredible breakfast. My favorite is the #1 Special. The restaurant is small so if you can't be seated at a table you might have to sit at the counter. Dining at the counter is always fun because you could be sitting next to a CEO or a student. It is a great melting pot. Someday soon they will be demolishing the shopping center where the Skillet is located and build a new shiny shopping center. I'm trying to record some memories with my paintings of the town I love.


I'll take you along my painting process, starting with my studio set-up. When I'm not painting on location I use my digital photos displayed on my computer monitor as a reference.

I keep little notes to remind me to have fun, squint and to visualize my goal.

Looking down on me is an old photograph I found at an estate sale. George Bellows, the American painter, is pictured at his Woodstock Studio.


Step One
When I have a figure in a painting I'll usually draw out the basic composition. I'm using vine charcoal on a stretched white canvas. I'll fix the charcoal after I finish drawing so I don't make a big smear mess.

I love drawing. Lately I'm painting more than I draw, but actually I feel like I am drawing when I paint because I am looking at the shapes and trying to recreate what I see.

Step 2
In this shot you can see my "block in". My goal is to cover the canvas with the average value of the colors I see in my subject and to establish the shapes. This step really helps me to evaluate my composition.
Step 3
Now I start to define my focal point, "the star of the show". I don't know who this fellow is, but I liked the way he was day dreaming as he waited for his breakfast to be cooked.

I love a finished/unfinished look to my completed paintings, so my painting process gets slower and slower in hopes that I don't finish the painting too much. I always want "the hand of the painter" to be seen - to be able to see the paint, the brush strokes.

Step 4
Working some more of the focal point. The paint starts off thin and gets thicker as I near completing an area.

As with the finished/unfinished look to the painting I also like a balance of thick and thin paint buildup. As in life, it is all about balance.
Step 5
As I work on this painting I want to make sure I keep the cook in a "supporting role" to my star. The cook is in the background and shouldn't be as defined and should be less in focus.

At this stage I like the red/green color pallette, but feel that I need to pop out my focal point more. Perhaps a change in the color of his jacket?
Step 6
I decided to change the jacket color to a red/brown. This decision does add emphasis to the main subject. I've slowed way down now. All the details in the background don't need to be detailed too much. I'm aiming for just a suggestion.

Hope you've enjoyed this painting journey. Creating this blog entry has helped me to really see and "hear" my painting process.

Scroll up to see the finished painting.

Friday, October 26, 2007

We Live Here Now


The Hub-Bub artists, Arielle and Rachel are living downtown for 5 days in a store front on 100 E. Main Street. Their goal is to promote downtown and its small but growing art scene, and to highlight in a unique way what it would be like to live downtown. They are calling the project "We Live Here Now."
I dropped by today to sketch art in the making! Arielle and Rachel are two of four artist participating in the Artists-in-Residence program run by Hub-Bub. Hub-Bub has some great things happening.
Now that "I live here now" it is things like this that has me encourgaged that great things are happening in my old town.